Mark Foote

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Everything posted by Mark Foote

  1. How does it work?

    Gautama's experience of the stoppage of breath: So I, Aggivessana, stopped breathing in and breathing out through the mouth and through the nose and through the ears. When I, Aggivessana, had stopped breathing in and breathing out through the mouth and through the nose and through the ears, I came to have very bad headaches
 very strong winds cut through my stomach
 there came a fierce heat in my body. Although, Aggivessana, unsluggish energy came to be stirred up in me, unmuddled mindfulness set up, yet my body was turbulent, not calmed, because I was harassed in striving by striving against that very pain. But yet, Aggivesana, that painful feeling, arising in me, persisted without impinging on my mind
 (MN I 244-245, Pali Text Society vol I p 298-299) I'm saying if you haven't experienced the fourth jhana, you don't have the "fifth limb" of concentration (the "survey-sign") at your disposal in the first concentration. I see that you are trying to match up somebody's teachings with your experience. Why not Gautama's?
  2. How does it work?

    That moment when "the breath will momentarily stop"--that's the moment when necessity can place attention, such that the breath does not stop: The presence of mind can utilize the location of attention to maintain the balance of the body and coordinate activity in the movement of breath, without a particularly conscious effort to do so. There can also come a moment when the movement of breath necessitates the placement of attention at a certain location in the body, or at a series of locations, with the ability to remain awake as the location of attention shifts retained through the exercise of presence. So far as I know, the "survey-sign" follows the fourth concentration. Certainly, Gautama referred to it as the "fifth limb" of concentration. Again, the survey-sign is rightly grasped by (a person), rightly held by the attention, rightly reflected upon, rightly penetrated by insight. 
 just as someone might survey another, standing might survey another sitting, or sitting might survey another lying down; even so the survey-sign is rightly grasped by (a person), rightly held by the attention, rightly reflected upon, rightly penetrated by insight. (AN III 25-28, Pali Text Society Vol. III pg 18-19, see also MN III 92-93, PTS pg 132-134) I'm not saying that the "survey-sign" can't be invoked in the first concentration. The fifteenth element of the mindfulness that Gautama described as his way of living was: "Contemplating cessation I shall breathe in. Contemplating cessation I shall breathe out." (SN V 312, Pali Text Society Vol V p 275-276; tr. F. L. Woodward) That cessation may or may not be "the cessation of inbreathing and outbreathing" (or in plain English, "the cessation of habit and volition in the activity of the body in inhalation and exhalation")--the cessation which marks the fourth concentration. Makes sense to me that Gautama would practice to the fourth concentration and the sign of the concentration, then utilize the sign of the concentration to experience the cessation of the fourth concentration as appropriate in daily living. There's no concentration without one-pointedness: Herein
 the (noble) disciple, making self-surrender the object of (their) thought, lays hold of concentration, lays hold of one-pointedness. (The disciple), aloof from sensuality, aloof from evil conditions, enters on the first trance, which is accompanied by thought directed and sustained, which is born of solitude, easeful and zestful, and abides therein. (SN V 198, Pali Text Society vol V p 174; “noble” substituted for Ariyan; emphasis added) Here's Zen teacher Koun Franz's description of "one-pointedness of mind", although he doesn't identify it as such. He, too, talks about broadening the visual field: Okay
 So, have your hands in the cosmic mudra, palms up, thumbs touching, and there’s this common instruction: place your mind here. Different people interpret this differently. Some people will say this means to place your attention here, meaning to keep your attention on your hands. It’s a way of turning the lens to where you are in space so that you’re not looking out here and out here and out here. It’s the positive version, perhaps, of ‘navel gazing’. The other way to understand this is to literally place your mind where your hands are–to relocate mind (let’s not say your mind) to your centre of gravity, so that mind is operating from a place other than your brain. Some traditions take this very seriously, this idea of moving your consciousness around the body. I wouldn’t recommend dedicating your life to it, but as an experiment, I recommend trying it, sitting in this posture and trying to feel what it’s like to let your mind, to let the base of your consciousness, move away from your head. One thing you’ll find, or that I have found, at least, is that you can’t will it to happen, because you’re willing it from your head. To the extent that you can do it, it’s an act of letting go–and a fascinating one. ... I was taught we should be constantly aware of our eyes when we sit. Specifically, we should be aware of how we narrow and widen the aperture, how our field of vision gets narrower and narrower as our mind gets narrower and narrower. When you see that clearly, you also see how easily you can just open it up; the degree to which we open it up is the degree to which we’re here. (No Struggle [Zazen Yojinki, Part 6]”, by Koun Franz, from the “Nyoho Zen” site https://nyoho.com/2018/09/15/no-struggle-zazen-yojinki-part-6/) For me, the practice is more like: “
 (a person) steeps, drenches, fills, and suffuses this body with zest and ease, born of solitude, so that there is not one particle of the body that is not pervaded by this lone-born zest and ease.” (AN III 25-28, Pali Text Society Vol. III p 18-19, see also MN III 92-93, PTS p 132-134) Words like “steeps” and “drenches” convey a sense of gravity, while the phrase “not one particle of the body that is not pervaded” speaks to the “one-pointedness” of attention, even as the body is suffused. If I can find a way to experience gravity in the placement of attention as the source of activity in my posture, and particular ligaments as the source of the reciprocity in that activity, then I have an ease. ("To Enjoy Our Life")
  3. "Non-dual" misnomer

    “Oh, you can’t help that,” said the Cat: “we’re all mad here. I’m mad. You’re mad.” “How do you know I’m mad?” said Alice. “You must be,” said the Cat, or you wouldn’t have come here.” (Alice and The Cheshire Cat, from Alice in Wonderland by Lewis Carroll)
  4. astral projection

    There's certainly a lot of lore out there, and you're right to consider most of it a waste of time (IMHO). I'm not ready to dismiss miracles altogether, though, and even if Olaf Blanke has demonstrated an ability to produce out-of-body sensations in test subjects by mechanical means, I'm not entirely sure that people haven't seen things that couldn't be seen from their physical location. I believe that it's possible for things outside the boundaries of the senses to effect the placement of my attention, and in some cases for activity to manifest from that location. When you find your place where you are, practice occurs, actualizing the fundamental point. When you find your way at this moment, practice occurs, actualizing the fundamental point
 Although actualized immediately, the inconceivable may not be apparent. (Dogen, "Genjo Koan", tr Tanahashi)
  5. astral projection

    Ow!--cut it out, Nungali, I know that's you!
  6. astral projection

    Munroe would probably beg to differ with you, at least as far as the realm in which he pinched the person's buttocks. That's exactly what he was trying to verify, was his dream-like experience of floating and traveling and being at someone's house an experience of the real world, or of something else? He satisfied himself that it was this world, with that experiment. I think there are others that make the same claim, though I don't know that for sure. I myself have never been tempted to experiment with "lucid dreaming", with trying to separate some aspect of myself from the physical body and travel around.
  7. How does it work?

    Know your question was not directed to me, ChiDragon, but I can't resist. I'm not saying that cultivation isn't important, but I am saying that no amount of cultivation amounts to the jumping off required to realize activity purely out of the placement of attention from moment to moment. ...The difficulty is that most people will lose consciousness before they cede activity to the location of attention–they lose the presence of mind with the placement of attention, because they can’t believe that action in the body is possible without “doing something”...
  8. How does it work?

    Rude! I was riffing off the Google translation of Taoist Text's Chinese excerpt. Was that excerpt not about alchemy? What I outlined is just according with my own nature, which is really the immortality that the alchemy is all about, IMHO. Here's Wikipedia on "The Golden Flower" (my emphasis): The Secret of the Golden Flower (Chinese: ć€Șäč™é‡‘èŻćź—æ—š; pinyin: TĂ iyǐ JÄ«nhuĂĄ Zƍngzhǐ) is a Chinese Taoist book on neidan (inner alchemy) meditation, which also mixes Buddhist teachings with some Confucian thoughts. It was written by means of the spirit-writing (fuji) technique, through two groups, in 1688 and 1692. Here's a lovely illustration from "The Golden Flower"--now I would say this is an illustration of what I described as "finding ligaments that control reciprocal innervation in the lower body and along the spine through relaxation, and calming the stretch of ligaments": "We'll just lay there by the juniper, while the moon is bright; and watch them jugs a fillin', in the pale moonlight."
  9. astral projection

    You might find "Far Journeys" by Robert Monroe interesting. Monroe was an insurance salesman in New Jersey, who played around with self-hypnosis, and discovered he could go out of body. He kept journals. He reported experiences in three different planes, and in one of the experiences in this plane, he pinched somebody's bottom hundreds of miles from where he was and verified afterwards that they had a bruise there for no apparent reason. The most interesting thing about Monroe's experiences to me was how he got back into his body. For awhile he had difficulty returning, but he discovered that all he had to do was to become aware of his breathing, and he would be drawn back into his body.
  10. astral projection

    It was "O at a D", if I recall, the O's at a distance. Or was that a funny...
  11. astral projection

    Is you drew yet, soaring? I's passed.
  12. How does it work?

    It made sense to me. At least, some of it did!
  13. The trinity - how do you interpeted it

    Tertullian originated new theological concepts and advanced the development of early Church doctrine. He is perhaps most famous for being the first writer in Latin known to use the term trinity (Latin: trinitas). However, some of his teachings, such as the subordination of the Son and Spirit to the Father, were later rejected by the Church. He later apostasized and joined the Montanist sect. (Wikipedia, "Tertullian"). Montanism held views about the basic tenets of Christian theology similar to those of the wider Christian Church, but it was labelled a heresy for its belief in new prophetic figures. The prophetic movement called for a reliance on the spontaneity of the Holy Spirit and a more conservative personal ethic. (Wikipedia, "Montanism")
  14. How does it work?

    Using Google translate, which may or may not be accurate, I find the following points salient: If the mind is not relaxed, the nature will be fixed. If the form is not labored, it will be perfect. If the gods do not disturb you, the elixir will be knotted. ... It can be said that you never leave the house. I also partly agree with the post by Nintendao: "If the mind is not relaxed, the nature will be fixed." Gautama spoke of a "station of consciousness": That which we will
, and that which we intend to do and that wherewithal we are occupied:–this becomes an object for the persistance of consciousness. The object being there, there comes to be a station of consciousness. Consciousness being stationed and growing, rebirth of renewed existence takes place in the future, and here from birth, decay, and death, grief, lamenting, suffering, sorrow, and despair come to pass. Such is the uprising of this mass of ill. Even if we do not will, or intend to do, and yet are occupied with something, this too becomes an object for the persistance of consciousness
 whence birth
 takes place. But if we neither will, nor intend to do, nor are occupied about something, there is no becoming of an object for the persistance of consciousness. The object being absent, there comes to be no station of consciousness. Consciousness not being stationed and growing, no rebirth of renewed existence takes place in the future, and herefrom birth, decay-and-death, grief, lamenting, suffering, sorrow and despair cease. Such is the ceasing of this entire mass of ill. (SN II 65, Pali Text Society SN Vol II pg 45) My approach: Just before I fall asleep, my awareness can move very readily, and my sense of where I am tends to move with it. This is also true when I am waking up, although it can be harder to recognize (I tend to live through my eyes in the daytime, and associate my sense of place with them). When my awareness shifts readily, I realize that my ability to feel my location in space is made possible in part by the freedom of my awareness to move. I sometimes overlook my location in space because I attach to what I’m feeling, or I’m averse to it, or I ignore it. The result is that I lose the freedom of my awareness to shift and move, and I have difficulty relaxing or staying alert. When I allow what I feel to enter into where I am, then my awareness remains free, and I can relax and keep my wits about me. (Waking Up and Falling Asleep) That's similar to the approach in lucid dreaming--a presence of mind must be retained in the moments before falling asleep, but unlike lucid dreaming, the idea here is to discover the placement of attention by necessity in the movement of breath, and retain a presence of mind with that placement as the placement shifts and moves. The necessity may be in the movement of breath itself, or with regard to support for the structure of the spine in the movement of breath. Actually, the necessity may even be coming from perceptions of things beyond the conscious boundaries of the senses, but that's another topic. On "the elixir will be knotted"--I recently outlined "the scales" of my practice, on my site--note that the attention placed by necessity in the movement of breath has a singular location, a "one-pointedness": ... the scales are: looking for a grip where attention takes place in the body, as “one-pointedness” turns and engenders a counter-turn (without losing the freedom of movement of attention); finding ligaments that control reciprocal innervation in the lower body and along the spine through relaxation, and calming the stretch of ligaments; and discovering hands, feet, and teeth together with “one-pointedness” (“bite through here”, as Yuanwu advised; “then we can walk together hand in hand”, as Yuanwu’s teacher Wu Tsu advised). When the necessity of the moment becomes the relaxation of muscles in the lower abdomen and the calming of the stretch of ligaments in the lower body, especially at the sacroiliac joints, there can be a sensation for which "knotted" is a colorful description. As to "It can be said that you never leave the house". Gautama spoke about four initial stages of concentration--I describe the way I experience the first three above, in my description of "scales" (like musical scales). As to the fourth: The flow of “doing something” in the body, of activity initiated by habit or volition, ceases in the fourth concentration. Instead, activity is generated purely by the placement of attention, and the location of attention can flow. Again, a [person], putting away ease
 enters and abides in the fourth musing; seated, [one] suffuses [one’s] body with purity by the pureness of [one’s] mind so that there is not one particle of the body that is not pervaded with purity by the pureness of [one’s] mind. (AN III 25-28, Pali Text Society Vol. III p 18-19, see also MN III 92-93; bracketed material paraphrases original) “Pureness of mind” is what remains when “doing something” ceases. When “doing something” has ceased, and there is “not one particle of the body” that cannot receive the placement of attention, then the placement of attention is free to shift as necessary in the movement of breath. ...The difficulty is that most people will lose consciousness before they cede activity to the location of attention–they lose the presence of mind with the placement of attention, because they can’t believe that action in the body is possible without “doing something”... When a presence of mind is retained as the placement of attention shifts, then the natural tendency toward the free placement of attention can draw out thought initial and sustained, and bring on the stages of concentration... (Shunryu Suzuki on Shikantaza and the Theravadin Stages) And you never have to leave home, in that "the stage of concentration that lends itself to practice in the moment is dependent on the tendency toward the free placement of attention." My take: "I practice now to experience the free placement of attention as the sole source of activity in the body in the movement of breath, and in my “complicated, difficult” daily life, I look for the mindfulness that allows me to touch on that freedom" (“To Enjoy Our Life”).
  15. There is no way to prevent suffering.

    For me, the first of the four truths precipitates the others. That is to say, Gautama did not always drink beer, but when he did, he drank "Four Truths" brand. When suffering is present, the other three of the four truths are equally valid and apply (when suffering is not present, no need to drink "Four Truths" brand).
  16. Haiku Chain

    Round and round, just now a bobbin without a yarn good thing I can't sew
  17. Haiku Chain

    Hi, Keith108, The thread you're looking for is "Haiku Unchained", that's here: I think Stigweard has passed away, but he left us his instructions for his "Haiku Chained" thread, in the first post: Stigweard The Janitor The Dao Bums 3,939 posts Posted January 11, 2008 Use the last line of the preceding haiku as the first line of yours. The structure is three lines: 5 syllables 7 syllables 5 syllables so there you have it. As is customary on the thread here, I will attempt a patch. not worth the penny flowers by the roadside, bright coots and ducks in reeds coots and ducks in reeds unseasonable warmth, here white snow has melted White snow has melted Moss and lichens revealed Round and round, just now _/|\_
  18. Not-CT-but-rather-MF-sez: Gautama did speak of monks longing for the states of further-men, for the states of concentration, as a form of suffering.
  19. Daniel, here's Gautama's description of the final attainment in his concentration, "the cessation of ('determinate thought' in) feeling and perceiving"--check out the "disturbance that remains": 
[an individual] comprehends thus, ‘This concentration of mind 
 is effected and thought out. But whatever is effected and thought out, that is impermanent, it is liable to stopping.’ When [the individual] knows this thus, sees this thus, [their] mind is freed from the canker of sense-pleasures and [their] mind is freed from the canker of becoming and [their] mind is freed from the canker of ignorance. In freedom is the knowledge that [one] is freed and [one] comprehends: “Destroyed is birth, brought to a close the (holy)-faring, done is what was to be done, there is no more of being such or so’. [They] comprehend thus: “The disturbances there might be resulting from the canker of sense-pleasures do not exist here; the disturbances there might be resulting from the canker of becoming do not exist here; the disturbances there might be resulting from the canker of ignorance do not exist here. And there is only this degree of disturbance, that is to say the six sensory fields that, conditioned by life, are grounded on this body itself.” (MN III 108-109, Pali Text Society Vol III p 151-152) Six sensory fields, including the mind. The absence of the three cankers, no mention of any inner essence, no mention of any "doer" of action (action of speech, of the body in inhaling and exhaling, of the mind in feeling and perceiving). No actor that stands apart, no essence underlying. The thing itself. (I always forget that a particular combination of characters, left bracket s right bracket, will cause the Dao Bums mini-editor to score through all succeeding text, sorry about that in the initial post.)
  20. I liked your post, Cobie, even though I couldn't read it. I've grown accustomed to your absences, at least I know you're present on the conversation!
  21. ... Famous saying attributed to the Sixth Patriarch's disciple Nan-yĂŒeh Huai-jang (667-744): The [Sixth] Patriarch asked [Nan-yĂŒeh], "Where do you come from?" Nan-yĂŒeh answered, "From Mt. Sung." The Patriarch said, ''What is it that comes like this''' Nan-yueh replied, "To say anything would be wrong." The Patriarch said, "Then is it contingent on practice and verification (hsiu-cheng)?" Nan-yĂŒeh said, "Practice and verification are not nonexistent; they are not to be defiled." ("Dogen's Manuals of Zen Meditation", Carl Bielefeldt, p 138)
  22. That's key for me, the part about "it already animates their bodies". There can
 come a moment when the movement of breath necessitates the placement of attention at a certain location in the body, or at a series of locations, with the ability to remain awake as the location of attention shifts retained through the exercise of presence. (Common Ground) When a presence of mind is retained as the placement of attention shifts, then the natural tendency toward the free placement of attention can draw out thought initial and sustained, and bring on the stages of concentration: 
 there is no need to depend on teaching. But the most important thing is to practice and realize our true nature
 [laughs]. This is, you know, Zen. (Shunryu Suzuki, Tassajara 68-07-24 transcript from shunryusuzuki.com) (Shunryu Suzuki on Shikantaza and the Theravadin Stages) I practice now to experience the free placement of attention as the sole source of activity in the body in the movement of breath, and in my “complicated, difficult” daily life, I look for the mindfulness that allows me to touch on that freedom. ("To Enjoy Our Life", emphasis added)
  23. How do you practise?

    You asked for it, NaturaNaturans! “To Enjoy Our Life” (from zenmudra.com/zazen-notes) A friend of mine recommended a particular approach to practicing musical scales. She starts with the minor scale on a particular note, say, C minor. She follows with the major scale on the same note (C major), and then the relative minor of that major (A minor). She continues in this fashion four rounds, then picks up the next day with the minor scale beginning a step higher (D minor). In three days, she’s made a circuit of scales. I’ve tried in the past to practice scales, but found myself giving up in short order. The organization in her approach is helpful to me, and though I’m not practicing as regularly as she does (she’s a performing musician, as well as a teacher), I have begun to practice. I wrote to my friend: The striking thing to me about my experience on the cushion these days is that I am practicing some kind of scales, as it were. Gautama outlined the feeling of four states, the initial three and then the “purity by the pureness of [one’s] mind”, the fourth. I’ve described that “pureness of mind” as what remains when “doing something” ceases, and I wrote: When “doing something” has ceased, and there is “not one particle of the body” that cannot receive the placement of attention, then the placement of attention is free to shift as necessary in the movement of breath. The rest of the scales are looking for a grip where attention takes place in the body, as “one-pointedness” turns and engenders a counter-turn (without losing the freedom of movement of attention); finding ligaments that control reciprocal innervation in the lower body and along the spine through relaxation, and calming the stretch of ligaments; and discovering hands, feet, and teeth together with “one-pointedness” (“bite through here”, as Yuanwu advised; “then we can walk together hand in hand”, as Yuanwu’s teacher Wu Tsu advised). In the months since I wrote my friend, I’ve had some time to reflect. There are some things I would add, on my practice of “scales”. Gautama spoke of suffusing the body with “zest and ease” in the first concentration: “
 (a person) steeps, drenches, fills, and suffuses this body with zest and ease, born of solitude, so that there is not one particle of the body that is not pervaded by this lone-born zest and ease.” (AN III 25-28, Pali Text Society Vol. III p 18-19, see also MN III 92-93, PTS p 132-134) Words like “steeps” and “drenches” convey a sense of gravity, while the phrase “not one particle of the body that is not pervaded” speaks to the “one-pointedness” of attention, even as the body is suffused. If I can find a way to experience gravity in the placement of attention as the source of activity in my posture, and particular ligaments as the source of the reciprocity in that activity, then I have an ease. Gautama taught that zest ceases in the third concentration, while the feeling of ease continues: (One) enters & remains in the third (state), of which the Noble Ones declare, ‘Equanimous & mindful, (one) has a pleasant abiding.’ (Samadhanga Sutta, tr. Thanissaro Bhikkhu, AN 5.28 PTS: A iii 25; Pali Text Society, see AN Book of Threes text I,164; Vol II p 147) That’s a recommendation of the third concentration, especially for long periods. Nevertheless, I find that the stage of concentration that lends itself to practice in the moment is dependent on the tendency toward the free placement of attention. As I wrote in my last post: When a presence of mind is retained as the placement of attention shifts, then the natural tendency toward the free placement of attention can draw out thought initial and sustained, and bring on the stages of concentration. Shunryu Suzuki said: To enjoy our life– complicated life, difficult life– without ignoring it, and without being caught by it. Without suffer from it. That is actually what will happen to us after you practice zazen. (“To Actually Practice Selflessness”, August Sesshin Lecture Wednesday, August 6, 1969, San Francisco) I practice now to experience the free placement of attention as the sole source of activity in the body in the movement of breath, and in my “complicated, difficult” daily life, I look for the mindfulness that allows me to touch on that freedom.
  24. Haiku Chain

    not worth the penny flowers by the roadside, bright coots and ducks in reeds
  25. Reflecting on TDB

    Not really looking to be comfortable with everyone, thanks anyway. My mother's first husband was the author of "How to Lose Friends and Alienate People"--that's sort of a family perspective for me, I guess... from the Amazon review: Originally published in 1937, "How to Lose Friends and Alienate People" is a tongue-in-cheek primer by Irving Tressler on how to achieve more free time and peace by having few, if any, friends and acquaintances. "Some of us are born with ability to make others peeved, but most of us aren't."... I find it's only necessary to be straightforwardly honest to retain my reclusivity.