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Are "hard" martial arts an obstruction for those on the path of Neidan?

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8 minutes ago, Rara said:

@Taomeow Good way of putting it. Of course, I've never seen any legit taiji sparring, so I only go by what you (and others who are sold by taiji) say. Let's not forget that taiji "master" who got mashed up by that mma guy.

 

I guess you still have to be good!

 

That said, I would imagine the aim is to not fight anyway, which buys a good number of years to train without destroying your own body.

 

I just find it difficult to understand how you can still read opponents easier with little contact training, and little experience with different sorts of opponents with different styles.

 

That "taiji master" was not a master and had no taiji.  Good taiji is rare.  Caveat emptor.  Some people get very fortunate and find the real thing, but it's a treasure hunt, not a commodity purchase.  Don't expect the real thing everywhere they hang the sign.  Research, seek out, the real thing.  There's no substitutes.  Taiji differs from mock-taiji as diamond differs from cubic zirconia.  The difference may look like nothing and is everything.

 

Your last paragraph, I don't understand.  Could you explain what you mean?

 

 

 

 

 

   

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All CMA are internal by nature and culture.. 

The distinction of external vs internal was something that was later applied and has caused much confusion for some.  .

 

some history

 

"

Others countered that it is, after all, called Chen Style Taijiquan, so it should be included as part of the Internal Division. Master Wu Tunan did not concur. He felt that Chen Style should be treated as an external style, similar to Shaolin. Someone turned to Chen Fake, Master Chen, you are the standard bearer of the Chen Family, is it external or internal?

 

Chen Fake answered, If the revered master Wu thinks it is external, then it is external! We did not have this distinction at home. (Later on, in a remarkable reversal of logic, this statement was actually quoted by some as proof that Chen Style Taijiquan is not the original source of Taijiquan, since family member Chen Fake did not even acknowledge it as an internal style.)"

http://practicalmethod.com/2012/02/from-the-archives-of-www-chenzhonghua-org-the-article-what-is-in-a-name/

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2 hours ago, Rara said:

I just find it difficult to understand how you can still read opponents easier with little contact training, and little experience with different sorts of opponents with different styles.

 

When you mean “little contact training” I’m assuming you mean push hands. That is only one aspect of the training. Also push hands is supposed to be done with progressively higher pressure and speed with the objective of maintaining same level of sung and ting as all speeds and pressure. 

 

It is then combined with striking and turned into free form San shou as well. Reason we don’t see much of this is most people don’t reach the levels  of maturity in practice. I used to see my first teacher getting frustrated with the number of  people that drop out after 1 week (let aside one month) of training. 

My own training changed after I decided to take private and semi-private lessons with him. Luckily for me there were three of us who were serious about taiji and practiced  together in various permutations and combinations for the 

first 13 years of my taiji training. 

 

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15 hours ago, Taomeow said:

 

Your last paragraph, I don't understand.  Could you explain what you mean?

 

 

   

 

Heya. What I mean is that when training thai boxing or BJJ, you always have a partner or an opponent to work with. Lots of reflex training is done in and outside of the gym, cardio and form are all worked on as well. Generally, there is more high intensity sparring.

 

My experience of tai chi is a lot of emphasis on form and sensitivity drills (push hands) but less of the actual "fight simulation" that hard martial arts offer. My point is that it surely takes a lot of faith to roll with the idea that you can become better than a decent mma fighter if you spend a long time mastering a legit tai chi system.

 

If there are very few that do master their system, doesn't it make sense to do a martial art that guarantees you'll get at least something out of it fairly quickly? Even if that is just being able to defend your head and throw a few punches...

Edited by Rara

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4 hours ago, Rara said:

 

Heya. What I mean is that when training thai boxing or BJJ, you always have a partner or an opponent to work with. Lots of reflex training is done in and outside of the gym, cardio and form are all worked on as well. Generally, there is more high intensity sparring.

 

My experience of tai chi is a lot of emphasis on form and sensitivity drills (push hands) but less of the actual "fight simulation" that hard martial arts offer. My point is that it surely takes a lot of faith to roll with the idea that you can become better than a decent mma fighter if you spend a long time mastering a legit tai chi system.

 

If there are very few that do master their system, doesn't it make sense to do a martial art that guarantees you'll get at least something out of it fairly quickly? Even if that is just being able to defend your head and throw a few punches...

 

Ah, got it, thanks.  

 

No, you don't go on faith with taiji, once you get the preliminary/beginner work done -- this takes a few years -- you can move on to practice with partners, the more the merrier, and your focus may (and I believe should) shift from basics to applications (though you never stop working on the basics, because there's no bottom to taiji skill.)   And you want a teacher who can show you what martial taiji can be down the road, not tell.  I was fortunate in that on a number of occasions early on, a hard MA practitioner would come "check out" or even "challenge" my teacher, and I saw what great taiji can do with my own eyes, no faith necessary.   At the time it looked like magic to me.  Well, some of that "magic" I can now do myself, but I hardly touched two-person drills for ten years before I deemed myself ready.  You may be ready sooner, I started late in life, someone younger might progress faster.  But please don't rush it if you want the real deal -- not rushing it is part of the deal.

 

With a good teacher, you will get your taiji-as-a-martial-art eventually, but if you want it right away, it is not going to be taiji and it is going to be inferior to almost any other MA, any art where people gain experience working with a partner/opponent.  If you want "at least something quickly," don't count on taiji for this.  I've met many people who start practicing with a partner too soon, and they don't progress all that much, they get stuck at a very primitive level.  And every time I encounter someone who impresses me in push-hands, I ask about their training history, and invariably they will say something like, "don't compete, don't try to win the encounter, let them push you, learn to absorb the force, work on your sensitivity, relax, relax, relax!! -- let them do whatever they want -- relax, relax, relax!! -- let them press and push and pull and grab and jerk and lock and do whatever they want, you want to learn to not tense up anything anywhere in response, this takes two years."  Magic number. :)  You start making amazing discoveries if you work with many noncooperating partners like that.  I was pretty much famous for being "so soft, so sung" when I only worked with forms, then come two-person drills -- and only by doing them this way did I start discovering where I do tense up when the opponent uses force, where I lose structure and how, and where and how to correct, reset, reset again and again till the body-mind-spirit get it.  And once they get it, it's so much fun.  No one can do anything, they are exerting supreme effort for nothing.  It's mind-blowing how much fun it is.

 

That's another aspect...  Working with energies of the world (which is how you come to see your partners) is great fun.  Working against the opponent to win, to overcome, to get the satisfaction of being better can't compete with this far as emotional gratification goes.  Competition can't compete with this kind of fun.  But you would have to experience it to believe it, and that's the only part that requires faith -- that if your mind and spirit are reset to a different frame of reference, your body will discover the kind of fun it didn't know existed -- the thrill of being at home among the energies of the universe, and competent there.  :)

 

But of course this takes a lot longer, and a good teacher (can't emphasize that enough), and the right mindset.  Is it worth it?  What else is there that's worth being patient for?..   

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@Taomeow Sure, I get all this. I couldn't agree more, and I'm not about rushing anything.

 

But unless there is evidence of taiji being effective, one does go on faith. Do you have any links to any sparring vids of any of this application?

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9 hours ago, Rara said:

@Taomeow Sure, I get all this. I couldn't agree more, and I'm not about rushing anything.

 

But unless there is evidence of taiji being effective, one does go on faith. Do you have any links to any sparring vids of any of this application?

 

I don't usually go to youtube for that, so I don't maintain a "collection."  My teacher posted a couple of applications videos when youtube was young :) 

 

https://www.youtube.com/watch?v=2WPQJoqmGPo&t=11s

 

As I recall, Chen Xiaowang, Chen Yu, Chen Bing, old Ma Hong, don't remember who else, have some fighting applications videos posted, you can look for them.  (Ma Hong's videos were made when he was 85, so worth checking out just to illustrate my earlier point...   I don't know if any are subbed, but it's not important -- without practice they won't explain anything anyway to a beginner. :)   Chen Xiaowang has some with subs. )   

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9 hours ago, Rara said:

@Taomeow Sure, I get all this. I couldn't agree more, and I'm not about rushing anything.

 

But unless there is evidence of taiji being effective, one does go on faith. Do you have any links to any sparring vids of any of this application?

Spoiler

 

 

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Today someone messaged me on FB.  A snippet of some conversation that made no sense to me.  The guy sent a friend request at some point, FB inundates me with those from time to time, I had no idea who he was.  So, I go to his profile to find out.  A very accomplished karate, taekwondo, krav maga, MMA master, internationally certified in this and that, winner of this and that, pictures of certificates and awards, posts from his students full of respect and admiration, the whole shebang.  I go back to the conversation to tell him, sorry, I don't think we ever spoke before, so I have no idea what you're talking about.  His response:

 

"Please forgive me, I've been on very heavy medications for my epilepsy and seizures, can't remember a thing, my memory is gone.  Please forgive me.  I saw on top of my message board got scared because I've done things like posted something like this and later I don't remember."  

  

Of course I don't know the details, but it is not unheard of to develop epilepsy and seizures from traumatic injuries. 

 

From someone attacking them in the streets or from the way they practice toward being prepared in case someone attacks them in the streets?  I don't know but if I were to take a wild guess...  :(

 

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1 hour ago, Taomeow said:

From someone attacking them in the streets or from the way they practice toward being prepared in case someone attacks them in the streets?  I don't know but if I were to take a wild guess...  :(

 

 past practices, and practices that are designed for intended use tend to be very severe

.

I once asked my teachers 1st grand son how to get better...he said "the more pain you can endure the deeper your skill level will be" 

His grandfather my teacher https://journeytoemptiness.com/2017/01/13/master-zhang-yongliang/  was quite hard on him in his training..The stories of pactice under tables and such were true and something the grandson had to endure....

 

 For most authentic practices its quite severe..Its a fiction of modern times that practices like taiji are easy or do not require one to put extreme stress on the body to achieve or build a skill set.  The intent of much of CMA was and has been changed over the yrs....to maximize attracting students     not necessarily for  intended usage..  

 

My first intro into the taiji world 

 

sam

 

Sam, as he liked to be called was in many ways ahead of his time. Having come from a hard style back ground his hands were gnarled not with age but with the training he did as a much younger man toughing them on coconut trees growing on the island.  

 

I can still hear him in his Hawaiian accented pidgin English, “and now we use the good old American right hook ”  when going over how his taiji worked.   https://journeytoemptiness.com/2017/06/30/outlaw-taiji/

Edited by windwalker
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On 12.2.2018 at 11:39 PM, windwalker said:

All CMA are internal by nature and culture.. 

The distinction of external vs internal was something that was later applied and has caused much confusion for some.  .

 

some history

 

"

Others countered that it is, after all, called Chen Style Taijiquan, so it should be included as part of the Internal Division. Master Wu Tunan did not concur. He felt that Chen Style should be treated as an external style, similar to Shaolin. Someone turned to Chen Fake, Master Chen, you are the standard bearer of the Chen Family, is it external or internal?

 

Chen Fake answered, If the revered master Wu thinks it is external, then it is external! We did not have this distinction at home. (Later on, in a remarkable reversal of logic, this statement was actually quoted by some as proof that Chen Style Taijiquan is not the original source of Taijiquan, since family member Chen Fake did not even acknowledge it as an internal style.)"

http://practicalmethod.com/2012/02/from-the-archives-of-www-chenzhonghua-org-the-article-what-is-in-a-name/

 

I concur that the differentiation into hard and soft martial arts becomes irrelevant at a certain stage of sophistication.

 

For instance, Japanese Shotokan Karate is generally regarded as one of the hardest styles there are, however, what Rick Hotton teaches in the following video has much in common with skillful application of "soft" styles like Taiji and Aikido.

 

 

 

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On 2/21/2018 at 1:55 PM, Michael Sternbach said:

 

I concur that the differentiation into hard and soft martial arts becomes irrelevant at a certain stage of sophistication.

 

For instance, Japanese Shotokan Karate is generally regarded as one of the hardest styles there are, however, what Rick Hotton teaches in the following video has much in common with skillful application of "soft" styles like Taiji and Aikido.

 

 

 

 

Looks like he's trying to give taiji fighting instructions to people who don't know what to do with them.  :)  

 

There's people who are talented.  Some are talented artists, they can see what others can't from the get-go.  Some are talented philosophers, they can think what others can't from the get-go.  Some are talented fighters, they can feel in their body what others can't from the get-go.  This guy is a talented MA guy, but I don't see how he can make a Michelangelo out of a student without teaching the techniques that would re-wire the student to be Michelangelo.  I don't see how he can make a Zhuangzi out of a student without re-wiring the student to be Zhuangzi.  He can only proclaim, "Look at me, I am Michelangelo, I am Zhuangzi."  Yes, he can show, but he can't show the inside of his feelings, and he is not teaching the techniques of acquiring them because he does not teach an internal art.  

 

Internal arts differ from external arts in that they have those re-wiring techniques.  You don't have to be born Michelangelo to become Michelangelo in taiji.  You just have to be taught the techniques and practice.  External arts don't have those techniques clearly and systematically formulated and practically implemented.  That's why this guy tells the students "I feel it," "I see it," "it's a feeling" and so on all the time and they are looking at him like they're looking at a three-legged chicken who tells them how easy it is to lay eggs.  Yes, I believe he feels it (especially in his upper body, his lower body is still rather disconnected, though nothing a good taiji teacher wouldn't fix...  like I said, the guy is talented).  But I don't see how he can get the students to feel it too, and to use what they feel the correct way.

 

So, thanks for pointing out one more difference.  Internal arts are the ones designed and structured to teach the internal student within the external student.  External arts, in this example, inform the internal student that he exists, and of course that's a start...  but where do they go from here?  It's not enough to know something exists.  I know planes exist but I can't pilot one.  A family member who can had to learn how -- and it wasn't done via just watching someone who can, or hopping in a plane and trying.  

 

Edited by Taomeow
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In that vid I see more of of  (Shotokan ... or any similar trip ) adapting away from what it was ( and didnt know or lost, in the first place  ) and refinding it, from other sources and then re-introducing it by 'high grade ' teachers to 'high grade ' students, in  'specialised ' seminars etc.   To try and make it better and 'keep up'  .   When many traditions never lost the 'inner teachings' in the first place .  

 

Eg.  in  my years of Shotokan training , hardly ever saw a take down technique ( and was given many a BS reason for that )  .  Thing is they didnt know them, and very limited knowledge of the  'complex' and concealed bunkai within their practised forms. 

 

Nowadays one can watch 'secret' karate techniques  on vids ... they are usually from people going elsewhere, learning stuff and then coming back and marketing it as 'the style' .

 

 

 

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14 hours ago, Taomeow said:

 

Looks like he's trying to give taiji fighting instructions to people who don't know what to do with them.  :)  

 

There's people who are talented.  Some are talented artists, they can see what others can't from the get-go.  Some are talented philosophers, they can think what others can't from the get-go.  Some are talented fighters, they can feel in their body what others can't from the get-go.  This guy is a talented MA guy, but I don't see how he can make a Michelangelo out of a student without teaching the techniques that would re-wire the student to be Michelangelo.  I don't see how he can make a Zhuangzi out of a student without re-wiring the student to be Zhuangzi.  He can only proclaim, "Look at me, I am Michelangelo, I am Zhuangzi."  Yes, he can show, but he can't show the inside of his feelings, and he is not teaching the techniques of acquiring them because he does not teach an internal art.  

 

Internal arts differ from external arts in that they have those re-wiring techniques.  You don't have to be born Michelangelo to become Michelangelo in taiji.  You just have to be taught the techniques and practice.  External arts don't have those techniques clearly and systematically formulated and practically implemented.  That's why this guy tells the students "I feel it," "I see it," "it's a feeling" and so on all the time and they are looking at him like they're looking at a three-legged chicken who tells them how easy it is to lay eggs.  Yes, I believe he feels it (especially in his upper body, his lower body is still rather disconnected, though nothing a good taiji teacher wouldn't fix...  like I said, the guy is talented).  But I don't see how he can get the students to feel it too, and to use what they feel the correct way.

 

So, thanks for pointing out one more difference.  Internal arts are the ones designed and structured to teach the internal student within the external student.  External arts, in this example, inform the internal student that he exists, and of course that's a start...  but where do they go from here?  It's not enough to know something exists.  I know planes exist but I can't pilot one.  A family member who can had to learn how -- and it wasn't done via just watching someone who can, or hopping in a plane and trying.  

 

 

Your comments are fair enough, and I agree that the internal arts' methods of power generation are more sophisticated, yet it is rare to see a practitioner of the latter with techniques as powerful as Rick Hotton's. And if you indeed come across a very powerful one, he may well have started out in a 'hard' style, like Erle Montaigue who had a background in Karate.

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8 hours ago, Michael Sternbach said:

 

Your comments are fair enough, and I agree that the internal arts' methods of power generation are more sophisticated, yet it is rare to see a practitioner of the latter with techniques as powerful as Rick Hotton's. And if you indeed come across a very powerful one, he may well have started out in a 'hard' style, like Erle Montaigue who had a background in Karate.

 

One would have to define "powerful" I guess.  Two would then have to agree on the definition.

 

I've come across quite a few taiji masters who are very powerful (granted they are not all over the place, it's just that by now I know where to look :) ), roughly one third of them started out with hard arts, and some, with extreme sports.  Of those one-third, 100% never looked back, and 85%, for one thing,  profoundly regretted having started with things that did damage to their bodies, and for another, scorn those practices from their current perspective as barbaric and pointless.  I had only brief exposure to TKD before taiji and don't regret it at all, but because it was brief, it took my teacher no more than a year to get all the habits of use I acquired there out of my system.  Others may not be able to get it out at all, once it is embodied.  It depends...

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22 hours ago, Nungali said:

In that vid I see more of of  (Shotokan ... or any similar trip ) adapting away from what it was ( and didnt know or lost, in the first place  ) and refinding it, from other sources and then re-introducing it by 'high grade ' teachers to 'high grade ' students, in  'specialised ' seminars etc.   To try and make it better and 'keep up'  .   When many traditions never lost the 'inner teachings' in the first place .  

 

Eg.  in  my years of Shotokan training , hardly ever saw a take down technique ( and was given many a BS reason for that )  .  Thing is they didnt know them, and very limited knowledge of the  'complex' and concealed bunkai within their practised forms. 

 

Nowadays one can watch 'secret' karate techniques  on vids ... they are usually from people going elsewhere, learning stuff and then coming back and marketing it as 'the style' .

 

 

 

 

Traditions and masters that have preserved the 'inner teachings' are rare and far between, IME. What generally happens is that people get interested in martial arts and start practising at 'Bob's Dojo' just down the street. Then, some exceptional ones later seek to transform their art by going back to its roots and reintroducing stuff that has been lost in the past, drawing from extant information, that sometimes indeed has been preserved better in other styles than their 'mother art'. Eventually, they introduce their fellow practitioners to those more sophisticated concepts, such as Rick Hotton exemplifies.

 

I think that's laudable.

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2 hours ago, Taomeow said:

 

One would have to define "powerful" I guess.  Two would then have to agree on the definition.

 

I've come across quite a few taiji masters who are very powerful (granted they are not all over the place, it's just that by now I know where to look :) ), roughly one third of them started out with hard arts, and some, with extreme sports.  Of those one-third, 100% never looked back, and 85%, for one thing,  profoundly regretted having started with things that did damage to their bodies, and for another, scorn those practices from their current perspective as barbaric and pointless.  I had only brief exposure to TKD before taiji and don't regret it at all, but because it was brief, it took my teacher no more than a year to get all the habits of use I acquired there out of my system.  Others may not be able to get it out at all, once it is embodied.  It depends...

 

I have heard plenty of rants about external styles by practitioners of internal ones, not least by Erle Montaigue whom I respect greatly in most regards, however, the more deeply I look into these matters, the more moot I find the criticism. The technical differences between the two camps are not as great as they may seem at first glance. They share pretty much a common base, and even some of the more subtle aspects of the internal arts can be found in the external ones as well, although only at advanced levels. I have no regrets having started out with Shotokan Karate myself so many years ago. Even though I have moved on from there, I feel it gave me a solid foundation to build upon, now that I started exploring Taiji, making me a well rounded martial artist. But your mileage may differ.

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On 2/14/2018 at 0:46 PM, dwai said:
  Reveal hidden contents

 

 

The guy in the video looks like he is using simple bagua changes, he calls it Yang taiji, interesting

Edited by zerostao
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3 hours ago, Michael Sternbach said:

 

The technical differences between the two camps are not as great as they may seem at first glance. 

 

If you wind up getting deeper into taiji, I predict you'll start finding more, not fewer, differences.  But they are not limited to technical ones, and among those that are deeper-than-technical, the differences might be even more profound at a high level.  I'm not talking some woo woo, I'm talking wuwei...  which, because words "about" it can only mislead, is not worth talking about.  But really worth experiencing...  it's a one-way door of sorts -- once you've convinced your body (after much preliminary ado) that the wuwei way is the best way to do things, and secured its cooperation, there's really no going away from that in any direction.  Just MHO of course. :)  

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52 minutes ago, zerostao said:

The guy in the video looks like he is using simple bagua changes, he calls it Yang taiji, interesting

 

I guess we all see features of what we know best in different but related arts. :) To me all things Yang always looks like "simplified Chen."  I would even go so far as to draw a parallel between them akin to the parallel between "traditional" and "simplified" written Chinese --

太極 vs. 太极   -- the same word, first in traditional script, second, in simplified.  

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3 hours ago, zerostao said:

The guy in the video looks like he is using simple bagua changes, he calls it Yang taiji, interesting

He’s manifesting Peng, Lu, Hwa, Na and Fa.

 

One of my senior taiji friend attended his seminars, touched hands with him and says the guy has real skill. I believe it.

 

in my practice set too I have many “palm” standing meditations that look like bagua palms. But it’s part of how I’ve been taught taiji meditations. We call them prayer hands. I don’t think internal concepts are that different across the IMA. 

 

 

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